Artist Gallery Agreement Template

Regarding cookie-cutter contract model or agreements on how you can find online, where you can basically fill in the gaps, the problem with these specific details of your pending relationship or agreement may not be sufficiently covered or even mentioned at all. Choosing a Quick-Fix model can not only give you a false sense of security, but can also be in the end nothing but trouble. Instead, you really need to think and evaluate every offer or opportunity for yourself and make sure that you individually create all the documents to include all the unique conditions for this situation. These agreements protect both, especially in unforeseen circumstances. They also give appeal in case of violation of the agreement. Handshake agreements are dangerous for both parties and I have avoided them. Only once was there a problem between me and a client, and our agreement protected me financially. Online exclusivity. Can you sell art online? If so, what? Today, artists want to maintain a degree of control and autonomy over their online activities. At the same time, one of your galleries needs the assurance that it has the exclusive right to sell certain works for specific periods.

And you need gallery assurances that you can continue to maintain an active online profile. Depending on the type of relationship, the agreement may include their ability to sell art in which the gallery has no interest or investment. This is a standard provision in these agreements to avoid the risk that the agreement will inadvertently create a partnership. Dan, big chronicle! I think California and Montana may be the only states that have strict laws to protect artists. Other artists may have more information. I was “matured” twice by galleries in New Mexico, but I managed to get the money back both times. Unfortunately, a contract is just paper without the local and legal resources to secure it. The agreement defines the role and duties of the gallery and the artist when the works of an artist`s gallery are exhibited.

If the gallery has financial or firm problems for any reason, you want to make sure that all the art and unpaid proceeds of the artworks sold belong to you and that your art that remains in the gallery (or in the gallery-owned installations) is returned to YOU AND YOU ALONE. In other words, insert a clear statement into the agreement that your art and all proceeds from the sale of this art are freed from the creditors` claims. This art gallery – the artist`s chord is designed to be used by a gallery owner. You will find an agreement that was designed from the artist`s point of view in our artist Consignment Agreement A246, which I have been showing and selling for 30 years. The only galleries I had problems with were the galleries that had contracts. The three galleries I`m going to show with are all handshake chords, if they don`t trust you, don`t trust them. I spent two, 10 and 20 years with these galleries. I would not show with a gallery that needed a contract, my personal recording.

My recent contribution to artists who want to ensure the representation of art galleries brings me to another important question. How do you proceed when a gallery is interested in selling your artworks? The gallery/artist relationship can sometimes be a pretty loose affair based on little more than a handshake agreement. I think it is wise to find an art gallery contract. Look at the following story: Who determines the appearance and layout of the show — the gallery, you or the two of you? Normally, the gallery takes the lead of it.